Architectural
structure & vocabularyThe main deity is Vishnu as Venkatachalapathy, a standing four-armed figure. Two smaller sub-shrines hold the consorts, the goddesses Alamelumanga and Padmavati. The plan is not as expansive as the great temples at Madurai or Srirangam, but the carving carries the entry.
What distinguishes the temple is a set of forty sculptures of unusual detail, each cut from a single monolithic column, the composite figures seeming to free themselves from the rigidity of the stone block. The stone is the same hard local granite used across Tamil Nadu for centuries, yet the Nāyaka carvers project the figures more freely from the pillar backing and finish them with a fine, smooth polish.
Some of these figures stand larger than life, about 6.5 feet high: warriors in action with swords and shields, dwarapalas, rearing lion-faced creatures, Draupadi with Arjuna and Karna, Rati seated on a divine bird looking into a mirror, and Manmatha firing feathery arrows of love from a sugarcane bow. One much-noticed figure shows a man, perhaps a hunter or kuravan, carrying off a woman. They stand in the Ranga mandapa at the entrance, the Veerappa mandapa in the outer prakaram, and the pillared corridor leading to the main shrine. The pillar tops carry the Pushpa potika, an auspicious banana-plantain motif.