Vaikuntanatha Temple, photograph
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Entry 070

Vaikuntanatha Temple

Srivaikuntam · Pandya; later additions by the Madurai Nāyakas

A large Vishnu temple at Srivaikuntam on the Tamirabarani, the first of the Nava Tirupati group and one of the 108 Divya Desams, its mandapa pillars carrying some of the most remarkable Nāyaka figure sculpture in the south.

The first of the Nava Tirupati temples, on the northern bank of the Tamirabarani between Tirunelveli and Tiruchendur. A Pandya foundation later enlarged by the Madurai Nāyakas, its mandapa pillars carry some of the finest Nāyaka figure sculpture in the far south.

The photographs

Plates · 10

Vaikuntanatha Temple, photograph
© Amar Ramesh and team · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh and team · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh and team · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh and team · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh and team · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh · All rights reserved
Vaikuntanatha Temple, photograph
© Amar Ramesh · All rights reserved
01

Architectural

structure & vocabulary

The large temple has three enclosures. The main deity is Vaikuntanatha, the moolavar in the sanctum; the processional deity is Kallapiran. The Pandya kings built the core structure, while the Madurai Nāyaks later added the gopurams, doorways and mandapas. The pillars of the inner mandapa, though plainer than the rest, appear to be of the Chola style.

The mandapa pillars bear exquisitely carved gods, goddesses, mythical hybrid figures and saints, the most remarkable feature of the temple. Near the gopuram, the outer prakaram holds a Kalyana mandapa in the typical Vijayanagara and Nāyaka style, rich in Rama imagery: a large Rama resting his arm on Hanuman's shoulders, and another with Hanuman and Angada on either side, the sculptor using scale to mark hierarchy. These figures are neither full high relief nor sculpture in the round but a mix of the two, detailed on the sides and back. Another pillar shows a fierce Aghora Veerabhadra trampling an enemy, his raised right foot carved with popping veins.

The Thiruvengadamudayan mandapa, named in temple records and built by Vadamalayapa Pillai, an official of the Madurai Nāyaka court, carries a row of Yali figures and high and low relief work. A four-pillared mandapa in the outer prakaram has ceiling paintings of Vishnu as seen at each of the Nava Tirupati temples, captioned in Tamil and Telugu. The Thirumozhi mandapa is ornate, its pillar figures jutting out life-size, seemingly portraits of Nāyaka officials, rulers and donors standing in Anjali mudra. The inner prakaram walls were painted with the 108 Vaishnava Divya Desams in the late Vijayanagara style, of which only a few survive, still showing the painters' yellow, green, blue and brown. The wooden doors to the main shrine are carved with forms of Vishnu and other deities.

02

Archaeological

dated & cited

A story relating to a cowherd in Pandya times has inscriptional backing on the temple walls, and it is believed the present structure was raised in that period. Inscriptions record the kings Sundara Pandya, Vira Pandya and Kulasekara Pandya as patrons who added to and renovated the temple in their times. The later gopurams, doorways and mandapas are attributed to the Madurai Nāyakas, who began as Vijayanagara feudatories.

03

Mythological

as transmitted

Srivaikuntam means heaven, and here it is read as heaven on earth. The temple is one of the 108 Divya Desams, sung in praise by the Alvars and other Vaishnava devotees; Nammazhwar visited and composed hymns to the Lord housed here. The temple holds three different Sthala Puranas, two of which give the two names of the deity, Vaikuntanatha and Kallapiran, while a third tells of a cowherd in Pandya times.

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