Architectural
structure & vocabularyThere are two temples here. The smaller, older one is for Chandraprabha, the 8th Tirthankara; the larger is for Vardhamana, the 24th Tirthankara, also known as Mahavira. The Trailokyanatha temple looks like a Hindu temple, with its Dhwajastambha and Bali pitham.
Going in through the pillared mandapa called the Sangeeta Mandapa, the walls carry stunning paintings of various stories from the life of Rishabhanatha, with captions in Tamil below, the sequence, colours and details of daily life all finely worked. Beyond this is a mandapa walled on all sides, from which the main shrines lead off. The main shrine is for Vardhamana / Mahavira, the others for Pushpadanta, the ninth Tirthankara, and Dharmadevi, with shrines for Padmaprabha (6th), Parsvanatha (23rd) and Vasupujya (12th).
The story painted in the Sangeeta Mahal is how Rishabhanatha, as a bull, entered the womb of Marudevi; the Gods raised a Samvatsara, twelve conferences shown in the center of the mandapa ceiling, where in twelve circles all the worlds gathered as he preached his first sermon. These scenes are painted on the ceiling.